The Great White Hype
Action / Comedy / Sport
The Great White Hype
Action / Comedy / Sport
When the champ's promoter, Reverend Sultan, decides something new is needed to boost the marketability of the boxing matches, he searches and finds the only man to ever beat the champ. The problem is that he isn't a boxer anymore and he's white. However, once Reverend Sultan convinces him to fight, he goes into heavy training, while the confident champ takes it easy, and falls out of shape.
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June 28, 2018 at 04:45 PM
An Excellent Story of Modern Boxing
I have to admit that when I rented this movie, I was expecting a dumb comedy that would fail to show the reality of boxing. However, this film is a very funny film that also has a rather keen insight into the current state of boxing. Samuel L. Jackson plays a "Don King" type guy that is stuck with the problem of having a champ that might be too good. No one wants to pay to see the guy, because there are no quality fighters out there to challenge him. So, Jackson goes about creating a contender for the champ. What is the one thing you need to get people in the arena to watch? Well, a white challenger of course, experience not necessary. Surely many white Americans will pay to see one of their own knock down the overly cocky, black champ. Berg plays the "Great White Hope." The beauty of this film is the comedic way that it shows the real life corruption in boxing today. Fights are fixed, promotions are staged and very rarely do you have the best fighting the best. Moreover, we as viewers fall into the same trap that boxing fans do. Here you have an unqualified contender, that has no prayer of beating the champ. However, as we see the hype done by these snake oil salesmen, we start to believe that Berg's character actually has a chance to win. If you are a boxing fan, you will love this film, because it is real. Even if you are not a boxing fan, you will enjoy it. Very funny film and great acting performances. Believe the hype!
Very sharp boxing satire!
Reading through the reviews on here, I can only assume that the humour in this film was wasted on a lot of people. Boxing is one of the few sports that translates well into the movies, with there being a decent number of great films based around the sport. This is slightly different to most however, as it takes a very humorous, cynical approach. There are so many memorable scenes and lines in the movie, right from the opening scene it's spot-on and I really can't work out where this criticism of the direction stems from! The fight scenes are over quickly and are nothing like the real thing - obviously - it's a comedy, not a documentary (sigh).
Like I said, I can only assume that the biting satire has been wasted on some viewers who were clearly expecting something different from the film. Each to their own, the film seems to have missed it's audience, but a 5 or 6 out of ten it certainly isn't! For me, it's definitely one of the better comedies out there. It's sharp, funny and well worth watching. 8 out of 10.
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Smart Satirical Jest !
The situation is perfect. It's one of the movies where there is nothing bad to refer to. It's about only one match and how it exposes the contradictions of this world; which's here the community of boxing. I loved how the whole characters declare something moral while achieving their hidden, damn materialistic, aims. In fact the shown scene is for America when money is god, and 99 % of the Americans are so godly! The casting is the movie's biggest hit; everyone was in the right place. The script is lissome, coming to its point without any elongation. The characters are made in a way suits the desired in this drollery of a movie. It harmonies smartly, carrying out itself as enjoyable, being an enough compensation from director (Reginald Hudlin) for his previous, real bad, movie (Boomerang – 1992). It was so good to an extent forces you to ask why it was that short? Why the gifted supporting actors (Jon Lovitz, Cheech Marin, Jamie Foxx,..) didn't have more on-screen time with more material? Actually, it's not basically a comedy inasmuch as a satire; that could bother some I suppose, since the funniness wasn't as high as the sarcastic criticism, with comic actors around while not making many laughs. However, it said all what Oliver Stone's surely heavier, louder and longer movie (Any Given Sunday) stretched and overload 3 years later, and in focused nice way as well. (The Great White Hype) is a jest where the substance is itself the surface totally unlike the world it sneered at. It's only imperfect point is that some jests can't be used more than once. So, despite how I liked it, I may find nothing in it to be re-watched again (except for Damon Wayans running after the ice cream's van of course !). Finally, do I smell a point of view in the title about how the great hype is "white" in the first place ?!